Uncle Sam protecting his property against the encroachments of his cousin John

Uncle Sam protecting his property against the encroachments of his cousin John
Complete Explanation: Northern fears of European intervention in the Civil War on behalf of the South are manifest here. Uncle Sam, in the form of a bearded Union soldier (closely resembling Abraham Lincoln), unceremoniously routs John Bull from a fenced garden where the latter has been poaching. Grabbing him by the scruff of the neck, Sam warns, "John, You lost your Non-interfering Principle. I'll lay it on your back again." The American wields a large stick "Principle of Non Enterference." John Bull has a handful of cotton plants, more of which appear at right, and wears "Armstrong's Patent" cannon on his legs. (The term refers to a type of English-made gun used by the Confederates.) The artist has hidden several Negro faces in his drawings of cotton plants here. A cock with the head of French leader Napoleon III watches from his perch on the fence at left. At right stands a large scarecrow from whose arms hang the lifeless bodies of Confederate general P. G. T. Beauregard and Confederate president Jefferson Davis. A plaque on the scarecrow reads, "All Persons Tresspassing These Premisses, will be punished according to Law." (click image for source)

American Lambs Subdued by Europe's Demon

American Lambs Subdued by Europe's Demon
For thy sake we are killed all the day long; we are accounted as sheep to the slaughter. Romans 8:36

The Federal Reserve as Crowned Bloodsucker

The Federal Reserve as Crowned Bloodsucker
Populist preacher William Jennings Bryan was thrice the Democratic nominee for President from 1896 -1908. The central theme of his anti-imperialist campaign was that America was falling into a trap of “financial servitude to British capital”.

Concord Battle-Ground

Concord Battle-Ground
Duty is a Mountain Death is a Feather

POETICAL WORKS: JAMES RUSSELL LOWELL (1891)

This blog is inspired by my grandfather's books from the 19th century. Within these books, are glimpses of a "fire in the spirit" that is all but lost in America today. The mettle/determination of a different era blazes throughout. The grotesque misinformation and disinformation that deluge our sources of knowledge today (the propaganda runs dark & deep), drove me to these 19th century texts. I was searching, desperately, for some unadulterated truths. I do think I found a few precious gems. Below, a few poems and excerpts from poems. The tragedies and injustices we witness today occurred in the past. The only difference is, today, few see. In the early days of the Republic, a disciplined and educated populace actively resisted despotism. This defiance to old world tyranny is readily identifiable in these poems. Dig the title, "crowned bloodsuckers". Do we see anything, even remotely, resembling such a ferocity of spirit today?
To John G. Palfrey ( LINK ) There are who triumph in a losing cause, Who can put on defeat, as 't were a wreath Unwithering in the adverse popular breath, Safe from the blasting demagogue's applause; 'Tis they who stand for freedom and God's laws. And so stands Palfrey now, as Marvell Stood, Loyal to Truth dethroned, nor could be wooed To trust the playful tiger's velvet paws: And if the second Charles brought in Decay Of ancient virtue, if it well might wring Souls that had broadened 'neath a noble day, To see a losel, marketable king Fearfully watering with his realm's best blood Cromwell's quenched bolts, that erst had cracked and flamed, Scaring, through all their depths of courtier mud, EUROPE"S CROWNED BLOODSUCKERS,___ how more ashamed Ought we to be, who see Corruptions flood Still rise o'er last years mark, to mine away Our brazen idol's feet of treacherous clay!
SUGGESTED BY THE GRAVES OF TWO ENGLISH SOLDIERS ON CONCORD BATTLE-GROUND. These men were brave enough, and true To the hired soldier's bull-dog creed; What brought them here they never knew, They fought as suits the English breed: They came three thousand miles, and died, To keep the PAST upon it's throne; Unheard, beyond the ocean tide, Their English mother made her moan.
Stanzas on Freedom MEN! whose boast it is that ye Come of fathers brave and free, if there breath on earth a slave,Are ye truly free and brave?If ye do not feel the chain,When it works a brother's pain,Are ye not base slaves indeed,Slaves unworthy to be freed?They are slaves who fear to speak For the fallen and the weak;They are slaves who will not choose Hatred,scoffing, and abuse,Rather than in silence shrink From the truth they needs must think;They are slaves who dare not be In the right with two or three.


The link ABOVE contains one of the Reverend Martin Luther King's most profound but most overlooked speeches. This speech, in all probability, got him assassinated. In it he deviated from civil rights to anti-war. This anti-war stanch upset the Military Industrial Complex.

(Of particular interest to me and relevance to this blog, is the inclusion of an excerpt from a James Russell Lowell poem that MLK so generously and warmly ended his powerful discourse with)



Crowned Vampires in Action (below)

Crowned Vampires in Action (below)
America's First ... and only Real Enemy: not the people of England, but British Monarchy.

Social Engineers Hard at it

Social Engineers Hard at it
“Just look at us. Everything is backwards; everything is upside down. Doctors destroy health, lawyers destroy justice, universities destroy knowledge, governments destroy freedom, the major media destroy information, and religions destroy spirituality.” — Dr. Michael Ellner

Common Law Common Sense (Fear the Righteous)

Common Law Common Sense (Fear the Righteous)
Martyr's Innocence

Wednesday, March 19, 2014

Machiavellian, Jesuit, Sodomites

Late last night while I was discovering the Armagh Troubles,I learned about the Ulster Volunteer Force . Seems the UK classifies the UVF as a  "proscribed" organization. (My earlier posts about the peculiar "St Paddy's" day events prompted these  bizarre forays into unknown territory).
Well now,  coming from a trailer park background  all this info shimmered  for me.(the damn education system here is  abysmally inadequate) This is why the internet is  so  exquisite,I can actually  learn something. But I digress.
Somehow in my discovery  of  the  word proscribe I stumbled upon the art work  of John Everett Millais and his  painting dealing with proscription HERE
Why was I so  woefully ignorant of the  work  of Millais? Trailer park background? Yep.
Moving right along.The above painting,titled,A Huguenot, on St. Bartholomew's Day, Refusing to Shield Himself from Danger by Wearing the Roman Catholic Badge (1852) raised  many questions. Having a bare essentials  knowledge of Huguenots it prompted a further investigation.  More important, what was St. Bartholomew's Day? (Sheesh  all our histories  deliberately memory holed).
St. Bartholomew's Day  St. Bartholomew's Day massacre 
was a nasty tale that had somehow evaded  my radar  screen. Discovering the myriad details, one fact  jumped out, ***The St. Bartholomew's Day Massacre and the events surrounding it were incorporated into D.W. Griffith's film Intolerance (1916). The film follows Catherine de' Medici (Josephine Crowell) plotting the massacre, coercing her son King Charles IX (Frank Bennett) to sanction it. Incidental characters include Henri of Navarre, Marguerite de Valois (Constance Talmadge), Admiral Coligny (Joseph Henabery) and the Duke of Anjou, who is portrayed as homosexual. ***
also, *** In Bordeaux the inflammatory sermon on September 29 of a Jesuit, Edmond Auger, encouraged the massacre that was to occur a few days later***
also, ***It was in this context that the massacre came to be seen as a product of Machiavellianism***
also, ***Christopher Marlowe was one of many Elizabethan writers who were enthusiastic proponents of these ideas. In the Jew of Malta (1589–90) "Machievel" in person speaks the Prologue, claiming to not be dead, but to have possessed the soul of (the Duke of) Guise, "And, now the Guise is dead, is come from France/ To view this land, and frolic with his friends" (Prologue, lines 3-4)[61] His last play, The Massacre at Paris (1593) takes the massacre, and the following years, as its subject, with Guise and Catherine both depicted as Machiavellian plotters, bent on evil from the start. The Catholic Encyclopedia of 1913 was still ready to endorse a version of this view, describing the massacres as "an entirely political act committed in the name of the immoral principles of Machiavellianism" and blaming "the pagan theories of a certain raison d'état according to which the end justified the means"***
So, my conclusion for now... History repeats itself yet again. Here I delineate a conspicuous linkage  with homosexuals, Jesuits  and  Machiavellianism. Sure is no coincidence that these  same players operate today in the  exact same manner. My lesson for the  day  is over  . Thanks  for stopping by.



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